Installations | Series

Meticulously constructed using epoxy, metal, wood and acrylic, this installation depicts a surreal scene where 60 characters lie on their beds, dreaming of sunflowers. The inspiration behind and conceptual core of the work lies in its namesake, the Post-Impressionist artist Vincent van Gogh. The beds draw connection to Van Gogh’s Bedroom in Arles and the almost 2-metre-tall sunflowers references his Sunflowers series. Together, these elements bring tactile life to Van Gogh’s imagined headspace—one that so fiercely yearned for self-expression. Within this symbolic space, all elements converge into a single shared dream—a collective vision materialising in an abundant growth of plants and flowers that overflow the boundaries of reality and enter the realm of imagination.

A fluid collection comprising epoxy daisies, asters, and orchids, along with fun characters, screwed onto walls, Flower Campus is not merely decorative but also serves as a profound symbol of transience and renewal. The installation, in the strictest sense, has no fixed shape or contour, yet it is flexible enough to transform into the shape the observer envisions. It reflects the meadow of daisies in the viewer’s heart while maintaining its own individuality and uniqueness. It is, at once, both one and all, highlighting the fleeting beauty and rejuvenation of flowers every spring.